What makes art arty?

It's useful to remember that "Art" and artistic knowledge includes music, literature, visual art, textiles, sculptor and film. In ToK a perennial debate is what defines art? Is it the subjective beauty perceived by an observer, or the underlying structures and theories that constitute its foundation? This discussion considers the complexities of aesthetic appreciation versus the structured knowledge that underpins artistic creation, with an aim to find ways to define art.

 

Aesthetics: The Subjective Experience

Aesthetics, derived from the Greek word "aisthesis," meaning perception, refers to the sensory experience or the beauty perceived in art. In music, literature, visual art, and film, aesthetics play a pivotal role in determining the audience's emotional response. Philosopher Immanuel Kant, in his work "Critique of Judgment," emphasised the importance of subjective beauty and its impact on the individual observer (Kant, 1790). For instance, the haunting melodies of Chopin's nocturnes or the stark, emotive lines of Picasso's Guernica strike chords of beauty and pain in listeners and viewers, transcending their technical composition.

 

Underlying Structures: The Foundation of Art

Conversely, artistic knowledge is rooted in established theories and structures. In music, this includes the understanding of chords, scales, and rhythm. The chromatic theory in visual art, and the rule of thirds in photography and painting, provide artists with guidelines to create balanced and harmonious compositions. In literature and film, narrative structures like Gustav Freytag’s pyramid and Joseph Campbell's "The Hero's Journey" are pivotal in crafting compelling stories. These structures are not just technicalities but are the backbone of artistic creation, offering a template for artists to innovate and express their ideas (Freytag, 1863; Campbell, 1949).

Music: Harmony and Melody

In music, the juxtaposition of aesthetics and structure is pronounced. The chord progressions in a piece by Bach or the innovative use of the tritone in Beethoven's compositions underpin the emotional response they evoke. Music theory is not just a set of rules; it's a language that enables composers to convey emotions and stories. For example, the use of minor keys to convey sadness or dissonance to express tension is a structured approach to creating an aesthetic experience (Rameau, 1722).

Visual Arts: Colour and Composition

In visual arts, the interplay of colours, lines, and shapes based on chromatic theory and compositional rules like the rule of thirds or the golden ratio, form the basis of aesthetic appeal. Monet's Impressionist works, though seemingly spontaneous, are underpinned by a deep understanding of light and colour theory. Similarly, the geometric precision in Mondrian's abstract works conveys beauty through structured form and colour (Gage, 1999).

Literature and Film: Narrative and Form

In literature and film, narrative structures guide the unfolding of stories. Shakespeare’s use of iambic pentameter in his plays provides rhythmic structure, enhancing the emotional impact of the words. The three-act structure, common in both literature and film, creates a framework within which stories are told, influencing how the audience perceives and engages with the narrative (McKee, 1997).

Balancing Aesthetics and Structures

The crux of the debate lies in finding a balance between these two aspects. Artistic knowledge and structures provide a foundation, but it's the artist's aesthetic choices that bring these elements to life. The tension between following rules and expressing subjective beauty is where art truly becomes 'arty'. This tension allows for innovation and creativity, leading to the evolution of art forms and artistic expression.

 

Conclusion

In conclusion, art is a complex amalgamation of aesthetics and underlying structures. While the aesthetic experience is subjective and varies with individual perception, the knowledge of underlying structures provides a framework for artists to express their creativity. The interplay of these elements is what gives art its depth, making it a continually evolving and dynamic field. Understanding this intricate balance is crucial for appreciating art in its entirety.

If you want help with your ToK Essay or ToK Exhibition contact me at Daniel@TokToday.com, or use the Messenger Chat icon on this website.

Stay arty my friends!
Daniel, Lisbon, Feb 2024

References

  • Kant, I. (1790). *Critique of Judgment*.

  • Freytag, G. (1863). *Die Technik des Dramas*.

  • Campbell, J. (1949). *The Hero with a Thousand Faces*.

  • Rameau, J. P. (1722). *Treatise on Harmony*.

  • Gage, J. (1999). *Colour and Culture: Practice and Meaning from Antiquity to Abstraction*.

  • McKee, R. (1997). *Story: Substance, Structure, Style, and the Principles of Screenwriting*.

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